Vighnesh Dheenadhayalan, Actor & Theater Technician from Madurai to Manhattan.

New York Art Life Magazine this week interviews a multi-performer artist. Actor, with extraordinary skills in combat acting, theater technician. We talk about Vighnesh Dheenadhayalan. He is a distinguished actor and theatre technician who has made significant strides in the vibrant theatre landscape of New York City. Born in Madurai, India, and now residing in Brooklyn, Dheenadhayalan’s artistic journey has been marked by a profound dedication to his craft. His recent performance in the opera “Moby Dick” at the Metropolitan Opera, which ran from January to March 2025, stands as a testament to his talent and versatility. Directed by the acclaimed Leonard Foglia, this production of Jake Heggie’s adaptation of Herman Melville’s classic novel showcased Dheenadhayalan’s ability to embody complex characters and engage audiences deeply. Working closely with renowned fight director Rick Sordelet, he contributed dynamic fight sequences that enhanced the opera’s dramatic narrative. Dheenadhayalan’s commitment to his art not only enriches the productions he participates in but also solidifies his role as a vital member of the New York theatre community, inspiring fellow artists and audiences alike.

His role of a Theatre Technician is pivotal, particularly as exemplified by Vighnesh Dheenadhayalan during his tenure at “Squid Game: The Experience NYC.” As the Show Lead and later to Technical Manager, Dheenadhayalan was not merely a facilitator; he was the architect of an immersive narrative that captivated audiences. His responsibilities included guiding guests through a meticulously crafted experience based on the globally renowned Netflix series, utilizing both scripted dialogue and improvisational skills to enhance audience engagement. Furthermore, his adept management of the host schedule and daily operations ensured seamless communication between front-of-house and back-of-house teams, safeguarding the integrity of the show’s intellectual property. By conducting auditions and directing actors, he not only fulfilled the creative vision of the production but also contributed significantly to the overall guest experience. Dheenadhayalan’s journey reflects the essential role of Theatre Technicians in shaping live performances, demonstrating that behind every successful show lies the dedication and expertise of those who work tirelessly behind the scenes to bring stories to life.

New York Art Life: You work in the heart of New York City, as a stage technician and actor. You are a multi-talented artist And play an integral role in weaving the intricate tapestry of live performance. You are a multi-talented artist, skilled in both acting technique and creative intuition, while ensuring that every element on stage is perfectly timed.

Vighnesh Dheenadhayalan: I love watching a show come to life, both as a protagonist of the fiction on stage and as a protagonist of the show’s organizational machine. The experience of being both an actor and a technician enriches my understanding of theater, creating a deep appreciation for the collaborative art that defines this vibrant cultural landscape.

New York Art Life: Navigating the vibrant and demanding world of theatre in New York City,your experience as an actor for “A View from the Bridge,” where you portrayed Marco, was a profound journey of self-discovery and artistic challenge.

Vighnesh Dheenadhayalan: In the realm of actor theater, my recent experience portraying Marco in Arthur Miller’s “A View From The Bridge” at the esteemed Atlantic Theatre Company stands as a profound testament to the transformative power of performance. Under the meticulous direction of Brandon Michael-Nase, I embarked on an extensive rehearsal journey that initially felt like an elusive quest; I struggled to grasp the essence of Marco’s character. Unlike my naturally spontaneous disposition, Marco’s eloquence lay in his stillness—his silence spoke volumes, a stark contrast that challenged me to delve deeper into the emotional landscape of the role. It wasn’t until the first performance that I began to uncover the intricate layers of his purpose, revealing how stillness can become a formidable force in storytelling. This experience not only honed my craft but also illuminated the significance of restraint in acting, reminding me that sometimes, the absence of words can resonate more powerfully than any dialogue.

New York Art Life: Your artistic abilities as an actor and theatre technician were demonstrated in all their strength in Squid Game: The NYC experience.

Vighnesh Dheenadhayalan: My work at the Squid Game: Experience as the Head of Theatre Operations. I was hired as an actor to play the Host, then I was promoted to a Show lead, then I was promoted again to become the Head of Theatre Operations. The scope of this work was vast from covering all the Technological aspects of the immersive experience to working with actors to fulfill the creative vision of the Writers and the Producers from Netflix.

New York Art Life: Immersive theatre is revolutionizing the landscape of performance art, inviting audiences to step beyond the traditional confines of passive observation into a realm where they become integral participants in the narrative.

Vighnesh Dheenadhayalan: The success of “Squid Game: The Experience NYC” is proof that immersive theater will be the protagonist of performances in the next decade. This innovative approach dismantles the proverbial fourth wall, allowing individuals to interact directly with actors and influence the unfolding story. As spectators traverse dynamic environments, they are not merely witnesses but active co-creators of the experience, forging a deeper emotional connection with the performance. This shift in engagement transforms the theatre from a static display into a vibrant, collaborative space, fostering a sense of community and shared storytelling that resonates long after the curtain falls. In this new paradigm, the boundaries between performer and audience blur, creating an unforgettable journey that redefines the very essence of theatrical experience. The industry is growing everyday with big names like Universal and Disney investing a lot more on themed environments focused on new IPs and new giants like Netflix expanding with great force into this business with their upcoming the Netflix Houses.

New York Art Life: Since January to March 2025, you had the extraordinary opportunity to perform in the restaging of Moby Dick at The Metropolitan Opera, an institution revered for its grand productions and rich history. Under the direction of the acclaimed Leonard Foglia, known for his exceptional work on Broadway, this adaptation of Jake Heggie’s 2010 interpretation of Herman Melville’s classic novel.

Vighnesh Dheenadhayalan: As a sailor in this monumental opera, I was not merely a participant but a storyteller, weaving a narrative of struggle and resilience alongside my fellow cast members. The role was physically demanding, requiring me to engage in dynamic fight sequences crafted by the renowned fight choreographer Rick Sordelet. This collaboration was not just about choreography; it was about creating a visceral experience for the audience, immersing them in the tumultuous world of the sea and the fierce battles that define Melville’s epic tale.

The production itself was a marvel—a set designed to mimic the bow of a ship, complete with ladders and rungs that soared 30 feet into the air. The tight space demanded precision and timing, as we navigated through fight scenes with 25 fellow sailors, each movement choreographed to the rhythm of the opera. The stakes were high; a misstep could disrupt the entire performance. Yet, it was this very challenge that ignited a fire within me, pushing me to hone my skills and embrace the artistry of live theater.

New York Art Life: How did coming from a city as rich in history and art as Madurai influence your artistic career?

Vighnesh Dheenadhayalan:  From a young age, my passion for art and theater ignited through the intricate movements of Bharathanatyam, a classical dance form originating from Tamil Nadu, South India. This captivating dance, steeped in rich temple traditions, was not merely a hobby; it was the foundation of my performing career. I vividly recall my childhood performances, where the stage transformed into a realm of storytelling and emotion, shaping my appreciation for roles that demand physicality.

Growing up in Madurai, an ancient city with a rich cultural heritage, I was literally overwhelmed by the invaluable culture that my city has. The skyline, dominated by the 14 colorful gopurams of the Meenakshi Amman Temple, serves as a canvas of intricate carvings depicting Hindu deities, inviting creativity and storytelling. This magnificent Dravidian-style temple, a major pilgrimage site, is more than just a structure; it embodies the spirit of my artistic journey. The confluence of history, spirituality, and artistry in Madurai ignited a deep-seated passion for theater, inspiring me to explore and express the stories that resonate within this unique cultural tapestry.

New York Art Life: How do you prepare to play a role? How do you acquire all those elements that make the character you play believable? Can you tell us an episode?

Vighnesh Dheenadhayalan: Preparing for a role as an actor requires a deep commitment to understanding the character’s essence, and one of the most effective methods is immersion. For instance, during my preparation for the role of Kumar in “The Dishwasher,” I shadowed a chef in a bustling New York restaurant for a week. This experience was not merely about observing a different profession; it allowed me to discover the shared human experiences that connect us all—like receiving a call from a loved one while at work or the intricate coordination with co-workers in a high-pressure environment. Instead of solely focusing on the character’s unique traits, I learned to appreciate the commonalities we all share, which ultimately enriched my portrayal. This approach not only transformed my understanding of the character but also fostered a profound connection, reminding me that every role I take on is an opportunity to explore the depths of human experience and emotion.

New York Art Life: Speaking about the films you have worked on, congratulations on the recent success of “Mirrors.” Tell us a bit more about your film projects. We hear that you recently wrapped a pretty big project.

Vighnesh Dheenadhayalan: I have had the idea of exploring deep-rooted traumas in films, and that’s how “Mirrors” came about. I wanted an objective view of the protagonist’s retelling of the experience, and importantly, to make sure that we hear his story without much interruption. Hence, the choice of keeping it a single-shot scene. I’m glad it was received well, and the audience was affected. Yes, I just wrapped shooting my portion for a series directed by Philip Gelatt and Malcolm Mills. I had worked with Malcolm before, and last summer he introduced this project to me. But initially, I was brought on to do some camera and writing work, but one thing led to another, and both Malcolm and Philip wanted me to read for the part and thought that I would be a good choice to lead the show. The series itself is a fresh take on an anthology series and is slated to release later this year. I’m very excited for people to see it, and that’s pretty much all I can say about it now.

New York Art Life: Can you give three pieces of advice to anyone who wants to start acting in a city like New York?

Vighnesh Dheenadhayalan: 1. Enroll in reputable acting classes, workshops, or conservatories (like HB Studio, Stella Adler, or The Lee Strasberg Institute). NYC is full of top-tier training, and consistent study not only sharpens your craft but connects you to the professional community. 2. Attend industry events, open mic nights, and local theater productions. Introduce yourself to directors, writers, and fellow actors. Building genuine relationships in New York’s creative ecosystem can open doors to auditions and collaborations. 3. Keep your headshots and résumé polished and always be on the lookout for auditions via Backstage, Playbill, and casting platforms. NYC demands resilience — treat rejection as part of the process and learn from each experience.

New York Art Life : We close the interview with your opinion on New York.

Vighnesh Dheenadhayalan: Light of culture in New York sweeps away every shadow.